TelekiNefesch by Nefesch – Book

February 17, 2010 by admin

Imagine a book filled with HUNDREDS of pages talking about the method script psychology and thinking behind some amazing routines. A borrowed crushed water bottle which contains an unseen word that has been written by a spectator VISIBLY uncrushes itself and the spectators breaths their thoughts into the bottle and the performer inhales those thoughts and reads their mind A spectator tries to crush an aluminum can with strength by pressing on the ends of the can (Nearly impossible if you ever tried) and it proves futile. The performer without touching the can or the spectators hands concentrates and causes the can to begin to crush in the spectators hands. The feel and hear the can moving and twisting all the way During a mind reading routine a pen that the spectators has held and used to write with and which became a mental link between performer and spectator is shown to have exploded inside the clear barrel do to an overload of thought In the meanwhile the performer reads the spectators mind regarding a symbol and a word A triple effect with a visual kick Another bottle effect where the bottle visibly crushes itself and restores itself as well A metal bending effect where a paper clip bends and unfolds itself and THEN bends into the shape of a spectators thought A wad of cotton (Theoretically borrowed) reveals the initial a spectator is thinking of A serial number reading effect where the performer is able to divine the number on a borrowed folded bill and then cause the bill to unfold by itself. Here is the Publishers Fwd which I think sums up what the book is about very well Publishers Foreword What is the number one fundamental thing lacking in mentalism but which traditional magic has going for it The Visual Element. One of the biggest challenges within mentalist and psychic entertainment is to give the spectator something to look at. We are a very visual people. With the infiltration of television and the internet on every facet of our lives this is even more true today than during Annemanns years- and even HE spoke of the lack of a visual element as being a short coming. Then along came Uri Geller. Aside from thrusting what we do into a level of public interest that has not been matched except (Maybe arguably) by John Edward in recent years weather intentionally or not Uri gave the mentalism community at large a whole new thing to do besides reading minds- and best of all it was VISUAL. Better still Uri had big TV behind him and so the concept of bending spooks and keys via psychic ability went from novel oddity to almost an EXPECTATION in the minds of the lay public. BUT- that is also as far as it went.